The swastika symbol, 卐 (right-facing or clockwise) or 卍 (left-facing, counterclockwise, or sauwastika), is an ancient religious icon in the cultures of Eurasia. It is used as a symbol of divinity and spirituality in Indian religions, including Hinduism, Buddhism and Jainism.
In the Western world, it was a symbol of auspiciousness and good luck until the 1930s when the right-facing tilted form became a feature of Nazi symbolism as an emblem of the Aryan race. As a result of World War II and the Holocaust, many people in the West still strongly associate it with Nazism and antisemitism. The swastika continues to be used as a symbol of good luck and prosperity in Hindu, Buddhist and Jain countries throughout Asia, including Nepal, India, Mongolia, Indonesia (specifically Bali), Thailand, China, Korea, Singapore and Japan, among others. It is also commonly used in Buddhist and Hindu marriage ceremonies.
The word swastika comes from Sanskrit: स्वस्तिक, romanized: svástika, meaning "conducive to well-being". In Hinduism, the right-facing symbol (卐) is called swastika, symbolizing surya ("sun"), prosperity and good luck, while the left-facing symbol (卍) is called sauwastika, symbolising night or tantric aspects of Kali. In Jainism, a swastika is the symbol for Suparshvanatha – the seventh of 24 Tirthankaras (spiritual teachers and saviours), while in Buddhism it symbolises the auspicious footprints of the Buddha. In several major Indo-European religions, the swastika symbolises lightning bolts, representing the thunder god and the king of the gods, such as Indra in Vedic Hinduism, Zeus in the ancient Greek religion, Jupiter in the ancient Roman religion, and Thor in the ancient Germanic religion.
The swastika is an icon which is widely found in both human history and the modern world. In various forms, it is otherwise known (in various European languages) as the fylfot, gammadion, tetraskelion, or cross cramponnée (a term in Anglo-Norman heraldry); German: Hakenkreuz; French: croix gammée; Italian: croce uncinata. In Mongolian it is called Хас (khas) and mainly used in seals. In Chinese it is called 萬字 (wànzì) meaning "all things symbol", pronounced manji in Japanese, manja (만자) in Korean and vạn tự / chữ vạn in Vietnamese. A swastika generally takes the form of a cross, the arms of which are of equal length and perpendicular to the adjacent arms, each bent midway at a right angle. The symbol is found in the archeological remains of the Indus Valley Civilisation and Samarra, as well as in early Byzantine and Christian artwork.
The right-facing swastika (卐) was , and later by the Nazi Party and Nazi Germany before World War II. It was used by the Nazi Party to symbolise German nationalistic pride. To Jews and other victims and enemies of Nazi Germany, it became a symbol of antisemitism and terror. In many Western countries, the swastika is now viewed as a symbol of racial supremacism and intimidation because of its association with Nazism.
In Hindu and Buddhist cultures, the swastika is a holy symbol. On the holiday of Diwali, Hindu households commonly use the swastika in decorations. Many Indian auto-rickshaws feature the swastika to ward off ill-fortune. Reverence for the swastika symbol in Asian cultures, in contrast to the West's stigmatisation of the symbol, has led to misinterpretations and misunderstandings.
The word swastika is derived from the Sanskrit swasti, which is composed of Su (सु – good, well, auspicious) and Asti (अस्ति – "it is” or "there is")
The word swastika has been used in the Indian subcontinent since 500 BCE. The word was first recorded by the ancient linguist Pāṇini in his work Ashtadhyayi. It is alternatively spelled in contemporary texts as svastika, and other spellings were occasionally used in the 19th and early 20th century, such as suastika. It was derived from the Sanskrit term (Devanagari स्वस्तिक), which transliterates to svastika under the commonly used IAST transliteration system, but is pronounced closer to swastika when letters are used with their English values. An important early use of the word swastika in a European text was in 1871 with the publications of Heinrich Schliemann, who discovered more than 1,800 ancient samples of the swastika symbol and its variants while digging the Hisarlik mound near the Aegean Sea coast for the history of Troy. Schliemann linked his findings to the Sanskrit swastika.
The word swasti occurs frequently in the Vedas as well as in classical literature, meaning "health, luck, success, prosperity", and it was commonly used as a greeting. The final ka is a common suffix that could have multiple meanings. According to Monier-Williams, a majority of scholars consider it a solar symbol. The sign implies something fortunate, lucky, or auspicious, and it denotes auspiciousness or well-being.
The earliest known use of the word swastika is in Panini's Ashtadhyayi, which uses it to explain one of the Sanskrit grammar rules, in the context of a type of identifying mark on a cow's ear. Most scholarship suggests that Panini lived in or before the 4th century BCE, possibly in 6th or 5th century BCE.
By the 19th century, the term swastika was adopted into the English lexicon, replacing gammadion from Greek γαμμάδιον.[A]
The concept of a "reversed" swastika was probably first made among European scholars by Eugène Burnouf in 1852, and taken up by Schliemann in Ilios (1880), based on a letter from Max Müller that quotes Burnouf. The term sauwastika is used in the sense of "backwards swastika" by Eugène Goblet d'Alviella (1894): "In India it [the gammadion] bears the name of swastika, when its arms are bent towards the right, and sauwastika when they are turned in the other direction."
All swastikas are bent crosses based on a chiral symmetry, but they appear with different geometric details: as compact crosses with short legs, as crosses with large arms and as motifs in a pattern of unbroken lines. Chirality describes an absence of reflective symmetry, with the existence of two versions that are mirror images of each other. The mirror-image forms are typically described as left-facing or left-hand (卍) and right-facing or right-hand (卐).
The compact swastika can be seen as a chiral irregular icosagon (20-sided polygon) with fourfold (90°) rotational symmetry. Such a swastika proportioned on a 5 × 5 square grid and with the broken portions of its legs shortened by one unit can tile the plane by translation alone. The Nazi swastika used a 5 × 5 diagonal grid, but with the legs unshortened.
The sauwastika was adopted as a standard character in Chinese, "卍" (pinyin: wàn) and as such entered various other East Asian languages, including Chinese script. In Japanese the symbol is called "卍" (Hepburn: manji) or "卍字" (manji).
The sauwastika is included in the Unicode character sets of two languages. In the Chinese block it is U+534D 卍 (left-facing) and U+5350 for the swastika 卐 (right-facing); The latter has a mapping in the original Big5 character set, but the former does not (although it is in Big5+). In Unicode 5.2, two swastika symbols and two sauwastikas were added to the Tibetan block: swastika U+0FD5 ࿕ RIGHT-FACING SVASTI SIGN, U+0FD7 ࿗ RIGHT-FACING SVASTI SIGN WITH DOTS, and sauwastikas U+0FD6 ࿖ LEFT-FACING SVASTI SIGN, U+0FD8 ࿘ LEFT-FACING SVASTI SIGN WITH DOTS.
European hypotheses of the swastika are often treated in conjunction with cross symbols in general, such as the sun cross of Bronze Age religion. Beyond its certain presence in the "proto-writing" symbol systems, such as the Vinča script, which appeared during the Neolithic.
According to René Guénon, the swastika represents the north pole, and the rotational movement around a centre or immutable axis (axis mundi), and only secondly it represents the Sun as a reflected function of the north pole. As such it is a symbol of life, of the vivifying role of the supreme principle of the universe, the absolute God, in relation to the cosmic order. It represents the activity (the Hellenic Logos, the Hindu Om, the Chinese Taiyi, "Great One") of the principle of the universe in the formation of the world. According to Guénon, the swastika in its polar value has the same meaning of the yin and yang symbol of the Chinese tradition, and of other traditional symbols of the working of the universe, including the letters Γ (gamma) and G, symbolising the Great Architect of the Universe of Freemasonic thought.
According to the scholar Reza Assasi, the swastika represents the north ecliptic north pole centred in ζ Draconis, with the constellation Draco as one of its beams. He argues that this symbol was later attested as the four-horse chariot of Mithra in ancient Iranian culture. They believed the cosmos was pulled by four heavenly horses who revolved around a fixed centre in a clockwise direction. He suggests that this notion later flourished in Roman Mithraism, as the symbol appears in Mithraic iconography and astronomical representations.
According to the Russian archaeologist Gennady Zdanovich, who studied some of the oldest examples of the symbol in Sintashta culture, the swastika symbolises the universe, representing the spinning constellations of the celestial north pole centred in α Ursae Minoris, specifically the Little and Big Dipper (or Chariots), or Ursa Minor and Ursa Major. Likewise, according to René Guénon the swastika is drawn by visualising the Big Dipper/Great Bear in the four phases of revolution around the pole star.
In his book Comet (1985), Carl Sagan reproduces a Han-dynasty Chinese manuscript (the Book of Silk, 2nd century BCE) that shows comet tail varieties: most are variations on simple comet tails, but the last shows the comet nucleus with four bent arms extending from it, recalling a swastika. Sagan suggests that in antiquity a comet could have approached so close to Earth that the jets of gas streaming from it, bent by the comet's rotation, became visible, leading to the adoption of the swastika as a symbol across the world.
Bob Kobres in his 1992 paper Comets and the Bronze Age Collapse contends that the swastika-like comet on the Han-dynasty silk comet manuscript was labelled a "long tailed pheasant star" (dixing) because of its resemblance to a bird's foot or footprint, the latter comparison also being drawn by J.F.K. Hewitt's observation on page 145 of Primitive Traditional History: vol. 1. as well as an article concerning carpet decoration in Good Housekeeping. Kobres goes on to suggest an association of mythological birds and comets also outside China.
In Native American culture, particularly among the Pima people of Arizona, the swastika is a symbol of the four winds. Anthropologist Frank Hamilton Cushing noted that among the Pima the symbol of the four winds is made from a cross with the four curved arms (similar to a broken sun cross), and concludes "the right-angle swastika is primarily a representation of the circle of the four wind gods standing at the head of their trails, or directions".
The earliest known swastika is from 10,000 BCE – part of "an intricate meander pattern of joined-up swastikas" found on a late paleolithic figurine of a bird, carved from mammoth ivory, found in Mezine, Ukraine. It has been suggested that this swastika may be a stylised picture of a stork in flight. As the carving was found near phallic objects, this may also support the idea that the pattern was a fertility symbol.
Some of the earliest archaeological evidence of the swastika in the Indian subcontinent can be dated to 3,000 BCE. Investigators have also found seals with "mature and geometrically ordered" swastikas that date to before the Indus Valley Civilisation (3300–1300 BCE). Their efforts have traced references to swastikas in the Vedas at about that time. The investigators put forth the theory[clarification needed] that the swastika moved westward from India to Finland, Scandinavia, the Scottish Highlands and other parts of Europe.[better source needed] In England, neolithic or Bronze Age stone carvings of the symbol have been found on Ilkley Moor, such as the Swastika Stone.
Swastikas have also been found on pottery in archaeological digs in Africa, in the area of Kush and on pottery at the Jebel Barkal temples, in Iron Age designs of the northern Caucasus (Koban culture), and in Neolithic China in the Majiabang and Majiayao cultures.
Other Iron Age attestations of the swastika can be associated with Indo-European cultures such as the Illyrians, Indo-Iranians, Celts, Greeks, Germanic peoples and Slavs. In Sintashta culture's "Country of Towns", ancient Indo-European settlements in southern Russia, it has been found a great concentration of some of the oldest swastika patterns.
The swastika is also seen in Egypt during the Coptic period. Textile number T.231-1923 held at the V&A Museum in London includes small swastikas in its design. This piece was found at Qau-el-Kebir, near Asyut, and is dated between CE 300 and 600.
The Tierwirbel (the German for "animal whorl" or "whirl of animals") is a characteristic motif in Bronze Age Central Asia, the Eurasian Steppe, and later also in Iron Age Scythian and European (Baltic and Germanic) culture, showing rotational symmetric arrangement of an animal motif, often four birds' heads. Even wider diffusion of this "Asiatic" theme has been proposed, to the Pacific and even North America (especially Moundville).
In Asia, the swastika symbol first appears in the archaeological record around 3000 BCE in the Indus Valley Civilisation. It also appears in the Bronze and Iron Age cultures around the Black Sea and the Caspian Sea. In all these cultures, the swastika symbol does not appear to occupy any marked position or significance, appearing as just one form of a series of similar symbols of varying complexity. In the Zoroastrian religion of Persia, the swastika was a symbol of the revolving sun, infinity, or continuing creation. It is one of the most common symbols on Mesopotamian coins.
In Buddhism, the swastika is considered to symbolise the auspicious footprints of the Buddha. The left-facing sauwastika is often imprinted on the chest, feet or palms of Buddha images. It is an aniconic symbol for the Buddha in many parts of Asia and homologous with the dharma wheel. The shape symbolises eternal cycling, a theme found in the samsara doctrine of Buddhism.
The swastika symbol is common in esoteric tantric traditions of Buddhism, along with Hinduism, where it is found with chakra theories and other meditative aids. The clockwise symbol is more common, and contrasts with the counter clockwise version common in the Tibetan Bon tradition and locally called yungdrung.
In Chinese, Japanese, and Korean the swastika is also a homonym of the number 10,000, and is commonly used to represent the whole of creation, e.g. "the myriad things" in the Tao Te Ching. During the Tang dynasty, Empress Wu Zetian (684–704) decreed that the swastika would also be used as an alternative symbol of the Sun.
When the Chinese writing system was introduced to Japan in the 8th century, the swastika was adopted into the Japanese language and culture. It is commonly referred as the manji (lit. "10,000-character"). Since the Middle Ages, it has been used as a mon by various Japanese families such as Tsugaru clan, Hachisuka clan or around 60 clans that belong to Tokugawa clan. On Japanese maps, a swastika (left-facing and horizontal) is used to mark the location of a Buddhist temple. The right-facing swastika is often referred to as the gyaku manji (逆卍, lit. "reverse swastika") or migi manji (右卍, lit. "right swastika"), and can also be called kagi jūji (鉤十字, literally "hook cross").
In Chinese and Japanese art, the swastika is often found as part of a repeating pattern. One common pattern, called sayagata in Japanese, comprises left- and right-facing swastikas joined by lines. As the negative space between the lines has a distinctive shape, the sayagata pattern is sometimes called the key fret motif in English.
The swastika is an important Hindu symbol. The swastika symbol is commonly used before entrances or on doorways of homes or temples, to mark the starting page of financial statements, and mandalas constructed for rituals such as weddings or welcoming a newborn.
The swastika has a particular association with Diwali, being drawn in rangoli (coloured sand) or formed with deepak lights on the floor outside Hindu houses and on wall hangings and other decorations.
In the diverse traditions within Hinduism, both the clockwise and counterclockwise swastika are found, with different meanings. The clockwise or right hand icon is called swastika, while the counterclockwise or left hand icon is called sauwastika or sauvastika. The clockwise swastika is a solar symbol (Surya), suggesting the motion of the Sun in India (the northern hemisphere), where it appears to enter from the east, then ascend to the south at midday, exiting to the west. The counterclockwise sauwastika is less used; it connotes the night, and in tantric traditions it is an icon for the goddess Kali, the terrifying form of Devi Durga. The symbol also represents activity, karma, motion, wheel, and in some contexts the lotus. According to Norman McClelland its symbolism for motion and the Sun may be from shared prehistoric cultural roots.
A swastika shaped temple tank built in 800 CE by Kamban Araiyan during the reign of Dantivarman is outside the temple complex of Pundarikakshan Perumal Temple (Vishnu temple) in Thiruvallarai, Tiruchirappalli, India. It is one of the important monuments of Pallava dynasty.
In Jainism, it is a symbol of the seventh tīrthaṅkara, Suparśvanātha. In the Śvētāmbara tradition, it is also one of the aṣṭamaṅgala or eight auspicious symbols. All Jain temples and holy books must contain the swastika and ceremonies typically begin and end with creating a swastika mark several times with rice around the altar. Jains use rice to make a swastika in front of statues and then put an offering on it, usually a ripe or dried fruit, a sweet (Hindi: मिठाई miṭhāī), or a coin or currency note. The four arms of the swastika symbolise the four places where a soul could be reborn in samsara, the cycle of birth and death – svarga "heaven", naraka "hell", manushya "humanity" or tiryancha "as flora or fauna" – before the soul attains moksha "salvation" as a siddha, having ended the cycle of birth and death and become omniscient.
The paired swastika symbols (卍 and 卐)) are included, at least since the Liao Dynasty (CE 907–1125), as part of the Chinese writing system and are variant characters for 萬 or 万 (wàn in Mandarin, 만 (man) in Korean, Cantonese, and Japanese, vạn in Vietnamese) meaning "myriad", "all", or "eternity".
An object very much like a hammer or a double axe is depicted among the magical symbols on the drums of Sami shamans, used in their religious ceremonies before Christianity was established. The name of the Sami thunder god was Horagalles, thought to derive from "Old Man Thor" (Þórr karl). Sometimes on the drums, a male figure with a hammer-like object in either hand is shown, and sometimes it is more like a cross with crooked ends, or a swastika.
The swastika shape (also called a fylfot) appears on various Germanic Migration Period and Viking Age artifacts, such as the 3rd-century Værløse Fibula from Zealand, Denmark, the Gothic spearhead from Brest-Litovsk, today in Belarus, the 9th-century Snoldelev Stone from Ramsø, Denmark, and numerous Migration Period bracteates drawn left-facing or right-facing.
The pagan Anglo-Saxon ship burial at Sutton Hoo, England, contained numerous items bearing the swastika, now housed in the collection of the Cambridge Museum of Archaeology and Anthropology.[failed verification] The swastika is clearly marked on a hilt and sword belt found at Bifrons in Kent, in a grave of about the 6th century.
Hilda Ellis Davidson theorised[clarification needed] that the swastika symbol was associated with Thor, possibly representing his Mjolnir – symbolic of thunder – and possibly being connected to the Bronze Age sun cross. Davidson cites "many examples" of the swastika symbol from Anglo-Saxon graves of the pagan period, with particular prominence on cremation urns from the cemeteries of East Anglia. Some of the swastikas on the items, on display at the Cambridge Museum of Archaeology and Anthropology, are depicted with such care and art that, according to Davidson, it must have possessed special significance as a funerary symbol. The runic inscription on the 8th-century Sæbø sword has been taken as evidence of the swastika as a symbol of Thor in Norse paganism.
According to painter Stanisław Jakubowski the "little sun" (Polish słoneczko) is an Early Slavic pagan symbol of the Sun, he claimed it was engraved on wooden monuments built near the final resting places of fallen Slavs to represent eternal life. The symbol was first seen in his collection of Early Slavic symbols and architectural features, which he named Prasłowiańskie motywy architektoniczne (Polish: Early Slavic Architectural Motifs). His work was published in 1923, by a publishing house that was then based in the Dębniki district of Kraków.
In Russia before World War I the swastika was a favorite sign of the last Russian Empress Alexandra Feodorovna. She placed it where she could for happiness, including drawing it in pencil on the walls and windows in the Ipatiev House – where the royal family was executed. There, she also drew a swastika on the wallpaper above the bed where the heir apparently slept. It was printed on some banknotes of the Russian Provisional Government (1917) and some sovznaks (1918–1922). In 1919 it was approved as insignia for the Kalmyk formations, and for a short period had a certain popularity amongst some artists, politics and army groups. Also it was present on icons, vestments and clerical clothing but in World War II it was removed, having become by association a symbol of the German occupation.
In modern Russia, some neo-Nazis and also Rodnovers argue that the Russian name of the swastika is kolovrat (Russian: коловрат, literally "spinning wheel"), but there are no ethnographic sources confirming this. In vernacular speech the swastika was called differently; for example, "breeze" – as in Christianity, the swastika represents spiritual movement, descent of the Holy Spirit, and therefore the "wind" and "spirit", or ognevtsi ("little flames"), "geese", "hares" (a towel with a swastika was called as towel with "hares"), "little horses".
The neo-Nazi Russian National Unity group's branch in Estonia is officially registered under the name "Kolovrat" and published an extremist newspaper in 2001 under the same name. A criminal investigation found the paper included an array of racial epithets. One Narva resident was sentenced to 1 year in jail for distribution of Kolovrat. The Kolovrat has since been used by the Rusich Battalion, a Russian militant group known for its operation during the War in Donbass.[additional citation(s) needed]
The bronze frontispiece of a ritual pre-Christian (c. 350–50 BCE) shield found in the River Thames near Battersea Bridge (hence "Battersea Shield") is embossed with 27 swastikas in bronze and red enamel. An Ogham stone found in Anglish, Co Kerry, Ireland (CIIC 141) was modified into an early Christian gravestone, and was decorated with a cross pattée and two swastikas. The Book of Kells (c. 800 CE) contains swastika-shaped ornamentation. At the Northern edge of Ilkley Moor in West Yorkshire, there is a swastika-shaped pattern engraved in a stone known as the Swastika Stone. A number of swastikas have been found embossed in Galician metal pieces and carved in stones, mostly from the Castro Culture period, although there also are contemporary examples (imitating old patterns for decorative purposes).
Ancient Greek architectural, clothing and coin designs are replete with single or interlinking swastika motifs. There are also gold plate fibulae from the 8th century BCE decorated with an engraved swastika. Related symbols in classical Western architecture include the cross, the three-legged triskele or triskelion and the rounded lauburu. The swastika symbol is also known in these contexts by a number of names, especially gammadion, or rather the tetra-gammadion. The name gammadion comes from its being seen as being made up of four Greek gamma (Γ) letters. Ancient Greek architectural designs are replete with the interlinking symbol.
In Greco-Roman art and architecture, and in Romanesque and Gothic art in the West, isolated swastikas are relatively rare, and the swastika is more commonly found as a repeated element in a border or tessellation. The swastika often represented perpetual motion, reflecting the design of a rotating windmill or watermill. A meander of connected swastikas makes up the large band that surrounds the Augustan Ara Pacis.
A design of interlocking swastikas is one of several tessellations on the floor of the cathedral of Amiens, France. A border of linked swastikas was a common Roman architectural motif, and can be seen in more recent buildings as a neoclassical element. A swastika border is one form of meander, and the individual swastikas in such a border are sometimes called Greek keys. There have also been swastikas found on the floors of Pompeii.
The swastika was widespread among the Illyrians, symbolising the Sun. The Sun cult was the main Illyrian cult; the Sun was represented by a swastika in clockwise motion, and it stood for the movement of the Sun.
In Armenia the swastika is called the "arevakhach" and "kerkhach" (Armenian: կեռխաչ)[dubious ] and is the ancient symbol of eternity and eternal light (i.e. God). Swastikas in Armenia were founded on petroglyphs from the copper age, predating the Bronze Age. During the Bronze Age it was depicted on cauldrons, belts, medallions and other items. Among the oldest petroglyphs is the seventh letter of the Armenian alphabet – Է – "E" (which means "is" or "to be") – depicted as a half-swastika.
Swastikas can also be seen on early Medieval churches and fortresses, including the principal tower in Armenia's historical capital city of Ani. The same symbol can be found on Armenian carpets, cross-stones (khachkar) and in medieval manuscripts, as well as on modern monuments as a symbol of eternity.
In Christianity, the swastika is used as a hooked version of the Christian Cross, the symbol of Christ's victory over death. Some Christian churches built in the Romanesque and Gothic eras are decorated with swastikas, carrying over earlier Roman designs. Swastikas are prominently displayed in a mosaic in the St. Sophia church of Kyiv, Ukraine dating from the 12th century. They also appear as a repeating ornamental motif on a tomb in the Basilica of St. Ambrose in Milan.
A ceiling painted in 1910 in the church of St Laurent in Grenoble has many swastikas. It can be visited today because the church became the archaeological museum of the city. A proposed direct link between it and a swastika floor mosaic in the Cathedral of Our Lady of Amiens, which was built on top of a pagan site at Amiens, France in the 13th century, is considered unlikely. The stole worn by a priest in the 1445 painting of the Seven Sacraments by Rogier van der Weyden presents the swastika form simply as one way of depicting the cross.
Swastikas also appear in art and architecture during the Renaissance and Baroque era. The fresco The School of Athens shows an ornament made out of swastikas, and the symbol can also be found on the facade of the Santa Maria della Salute, a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice.
In the Polish First Republic the symbol of the swastika was also popular with the nobility. According to chronicles, the Rus' prince Oleg, who in the 9th century attacked Constantinople, nailed his shield (which had a large red swastika painted on it) to the city's gates. Several noble houses, e.g. Boreyko, Borzym, and Radziechowski from Ruthenia, also had swastikas as their coat of arms. The family reached its greatness in the 14th and 15th centuries and its crest can be seen in many heraldry books produced at that time.
The swastika was also a heraldic symbol, for example on the Boreyko coat of arms, used by noblemen in Poland and Ukraine. In the 19th century the swastika was one of the Russian Empire's symbols, and was used on coinage as a backdrop to the Russian eagle.
Swastikas can be seen in various African cultures. In Ethiopia the Swastika is carved in the window of the famous 12th Century rock-hewn church Lalibela. In Ghana, the swastika is among the adinkra symbols of the Akan peoples. Called nkontim, swastikas could be found on Ashanti gold weights and clothing.
In the Western world, the symbol experienced a resurgence following the archaeological work in the late 19th century of Heinrich Schliemann, who discovered the symbol in the site of ancient Troy and associated it with the ancient migrations of Proto-Indo-Europeans, whose proto-language was not coincidentally termed "Proto-Indo-Germanic" by German language historians. He connected it with similar shapes found on ancient pots in Germany, and theorised[clarification needed] that the swastika was a "significant religious symbol of our remote ancestors", linking it to ancient Teutons, Greeks of the time of Homer and Indians of the Vedic era. By the early 20th century, it was used worldwide and was regarded as a symbol of good luck and success.
Schliemann's work soon became intertwined with the political völkisch movements, which used the swastika as a symbol for the "Aryan race" – a concept that theorists such as Alfred Rosenberg equated with a Nordic master race originating in northern Europe. Since its adoption by the Nazi Party of Adolf Hitler, the swastika has been associated with Nazism, fascism, racism in its (white supremacy) form, the Axis powers in World War II, and the Holocaust in much of the West. The swastika remains a core symbol of neo-Nazi groups.
The Benedictine choir school at Lambach Abbey, Upper Austria, which Hitler attended for several months as a boy, had a swastika chiseled into the monastery portal and also the wall above the spring grotto in the courtyard by 1868. Their origin was the personal coat of arms of Abbot Theoderich Hagn of the monastery in Lambach, which bore a golden swastika with slanted points on a blue field. The Lambach swastika is probably of Medieval origin.
In the 1880s the Theosophical Society adopted a swastika as part of its seal, along with an Om, a hexagram or star of David, an Ankh and an Ouroboros. Unlike the much more recent Raëlian movement, the Theosophical Society symbol has been free from controversy, and the seal is still used. The current seal also includes the text "There is no religion higher than truth." The British author and poet Rudyard Kipling used the symbol on the cover art of a number of his works, including The Five Nations, 1903, which has it twinned with an elephant.
The Danish brewery company Carlsberg Group used the swastika as a logo from the 19th century until the middle of the 1930s when it was discontinued because of association with the Nazi Party in neighbouring Germany. In Copenhagen at the entrance gate, and tower, of the company's headquarters, built in 1901, swastikas can still be seen. The tower is supported by four stone elephants, each with a swastika on each side. The tower they support is topped with a spire, in the middle of which is a swastika.
The Swastika, or the Thor's hammer as the logo was called, was used as the logo for H/f. Eimskipafjelag Íslands from its founding in 1914 until the Second World War when it was discontinued and changed to read only the letters Eimskip.
The Swastika Laundry was a laundry founded in 1912, located on Shelbourne Road, Ballsbridge, a district of Dublin, Ireland. In the 1950s, Heinrich Böll came across a van belonging to the company while he was staying in Ireland, leading to some awkward moments before he realised the company was older than Nazism and totally unrelated to it. The chimney of the boiler-house of the laundry still stands, but the laundry has been redeveloped.
In Finland, the swastika (vääräpää meaning "crooked-head", and later hakaristi, meaning "hook-cross") was often used in traditional folk-art products, as a decoration or magical symbol on textiles and wood. The swastika was also used by the Finnish Air Force until 1945, and is still used on air force flags.
The tursaansydän, an elaboration on the swastika, is used by scouts in some instances, and by a student organisation. The Finnish village of Tursa uses the tursaansydän as a kind of a certificate of authenticity on products made there, and is the origin of this name of the symbol (meaning "heart of Tursa"), which is also known as the mursunsydän ("walrus-heart"). Traditional textiles are still made in Finland with swastikas as parts of traditional ornaments.
The Finnish Air Force used the swastika as an emblem, introduced in 1918, until January 2017. The type of swastika adopted by the air-force was the symbol of luck for the Swedish count Eric von Rosen, who donated one of its earliest aircraft; he later became a prominent figure in the Swedish Nazi movement.
The swastika was also used by the women's paramilitary organisation Lotta Svärd, which was banned in 1944 in accordance with the Moscow Armistice between Finland and the allied Soviet Union and Britain.
The President of Finland is the grand master of the Order of the White Rose. According to the protocol, the president shall wear the Grand Cross of the White Rose with collar on formal occasions. The original design of the collar, decorated with 9 swastikas, dates from 1918 and was designed by the artist Akseli Gallen-Kallela. The Grand Cross with the swastika collar has been awarded 41 times to foreign heads of state. To avoid misunderstandings, the swastika decorations were replaced by fir crosses at the decision of president Urho Kekkonen in 1963 after it became known that the President of France Charles De Gaulle was uncomfortable with the swastika collar.
Also a design by Gallen-Kallela from 1918, the Cross of Liberty has a swastika pattern in its arms. The Cross of Liberty is depicted in the upper left corner of the standard of the President of Finland.
In December 2007, a silver replica of the World War II-period Finnish air defence's relief ring decorated with a swastika became available as a part of a charity campaign.
The original war-time idea was that the public swap their precious metal rings for the state air defence's relief ring, made of iron.
In 2017, the old logo of Finnish Air Force Command with Swastika was replaced by a new logo showing golden eagle and a circle of wings. However, the logo of Finland's air force academy still keeps the swastika symbol.
The swastika is an ancient Baltic thunder cross symbol (pērkona krusts; also fire cross, ugunskrusts), used to decorate objects, traditional clothing and in archaeological excavations. Latvia adopted the swastika, for its Air Force in 1918/1919 and continued its use until the Soviet occupation in 1940. The cross itself was maroon on a white background, mirroring the colors of the Latvian flag. Earlier versions pointed counter-clockwise, while later versions pointed clock-wise and eliminated the white background. Various other Latvian Army units and the Latvian War College (the predecessor of the National Defence Academy) also had adopted the symbol in their battle flags and insignia during the Latvian War of Independence. A stylised fire cross is the base of the Order of Lāčplēsis, the highest military decoration of Latvia for participants of the War of Independence. The Pērkonkrusts, an ultra-nationalist political organisation active in the 1930s, also used the fire cross as one of its symbols.
The Swedish company ASEA, now a part of ABB, in the late 1800s introduced a company logo featuring a swastika. The logo was replaced in 1933, when Adolf Hitler came to power in Germany. During the early 1900s, the swastika was used as a symbol of electric power, perhaps because it resembled a waterwheel or turbine. On maps of the period, the sites of hydroelectric power stations were marked with swastikas.
The headquarters of the Oslo Municipal Power Station was designed by architects Bjercke and Eliassen in 1928–31. Swastikas adorn its wrought iron gates. The architects knew the swastika as a symbol of electricity and were probably not yet aware that it had been usurped by the German Nazi party and would soon become the foremost symbol of the German Reich. The fact that these gates survived the cleanup after the German occupation of Norway during WW II is a testimony to the innocence and good faith of the power plant and its architects. The architects Bjercke and Eliassen knew the swastika as a symbol of power plants on maps in Scandinavia, and as the logo of Allmänna Svenska Elektriska Aktiebolaget, ASEA.
The swastika motif is found in some traditional Native American art and iconography. Historically, the design has been found in excavations of Mississippian-era sites in the Ohio and Mississippi River valleys, and on objects associated with the Southeastern Ceremonial Complex (S.E.C.C.). It is also widely used by a number of southwestern tribes, most notably the Navajo, and plains nations such as the Dakota. Among various tribes, the swastika carries different meanings. To the Hopi it represents the wandering Hopi clan; to the Navajo it is one symbol for the whirling log (tsin náálwołí), a sacred image representing a legend that is used in healing rituals. A brightly coloured First Nations saddle featuring swastika designs is on display at the Royal Saskatchewan Museum in Canada.
The Passamaquoddy Native American tribe, now located in the state of Maine and in Canada, used an elongated swastika on their war canoes in the American colonial period as well as later. A carving of a canoe with a Passamaquody swastika was found in a ruin in the Argonne Forest in France, having been carved there by Moses Neptune, an American soldier of Passamaquody heritage, who was one of the last American soldiers to die in battle in World War I.
Before the 1930s, the symbol for the 45th Infantry Division of the United States Army was a red diamond with a yellow swastika, a tribute to the large Native American population in the southwestern United States. It was later replaced with a thunderbird symbol.
A swastika shape is a symbol in the culture of the Kuna people of Kuna Yala, Panama. In Kuna tradition it symbolises the octopus that created the world, its tentacles pointing to the four cardinal points.
In February 1925, the Kuna revolted vigorously against Panamanian suppression of their culture, and in 1930 they assumed autonomy. The flag they adopted at that time is based on the swastika shape, and remains the official flag of Kuna Yala. A number of variations on the flag have been used over the years: red top and bottom bands instead of orange were previously used, and in 1942 a ring (representing the traditional Kuna nose-ring) was added to the center of the flag to distance it from the symbol of the Nazi party.
From 1909 to 1916, the K-R-I-T automobile, manufactured in Detroit, Michigan, used a right-facing swastika as their trademark.
The swastika was widely used in Europe at the start of the 20th century. It symbolised many things to the Europeans, with the most common symbolism being of good luck and auspiciousness. In the wake of widespread popular usage, in post-World War I Germany, the newly established Nazi Party formally adopted the swastika in 1920. The emblem was a black swastika rotated 45 degrees on a white circle on a red background. This insignia was used on the party's flag, badge, and armband.
In his 1925 work Mein Kampf, Adolf Hitler writes that: "I myself, meanwhile, after innumerable attempts, had laid down a final form; a flag with a red background, a white disk, and a black hooked cross in the middle. After long trials I also found a definite proportion between the size of the flag and the size of the white disk, as well as the shape and thickness of the hooked cross."
When Hitler created a flag for the Nazi Party, he sought to incorporate both the swastika and "those revered colors expressive of our homage to the glorious past and which once brought so much honor to the German nation". (Red, white, and black were the colours of the flag of the old German Empire.) He also stated: "As National Socialists, we see our program in our flag. In red, we see the social idea of the movement; in white, the nationalistic idea; in the hooked cross, the mission of the struggle for the victory of the Aryan man, and, by the same token, the victory of the idea of creative work."
The swastika was also understood as "the symbol of the creating, effecting life" (das Symbol des schaffenden, wirkenden Lebens) and as "race emblem of Germanism" (Rasseabzeichen des Germanentums).
The concept of racial hygiene was an ideology central to Nazism, though it is scientific racism. High-ranking Nazi theorist Alfred Rosenberg noted that the Indo-Aryan peoples were both a model to be imitated and a warning of the dangers of the spiritual and racial "confusion" that, he believed, arose from the proximity of races. The Nazis thus co-opted the sign as a symbol of the Aryan master race, although the use of the swastika as an Aryan symbol dates back to the late-19th century writings of Émile-Louis Burnouf. Following many other writers, the German nationalist poet Guido von List believed it was a uniquely Aryan symbol.
Before the Nazis, the swastika was already in use as a symbol of German völkisch nationalist movements (Völkische Bewegung).
The first time the swastika was used with an "Aryan" meaning was on 25 December 1907, when the self-named Order of the New Templars, a secret society founded by Lanz von Liebenfels, hoisted at Werfenstein Castle (Austria) a yellow flag with a swastika and four fleurs-de-lys.
However, Liebenfels was drawing on an already-established use of the symbol.
On 14 March 1933, shortly after Hitler's appointment as Chancellor of Germany, the NSDAP flag was hoisted alongside Germany's national colors. As part of the Nuremberg Laws, the NSDAP flag – with the swastika slightly offset from center – was adopted as the sole national flag of Germany on 15 September 1935.
During World War II it was common to use small swastikas to mark air-to-air victories on the sides of Allied aircraft, and at least one British fighter pilot inscribed a swastika in his logbook for each German plane he shot down.
Because of its use by Nazi Germany, the swastika since the 1930s has been largely associated with Nazism. In the aftermath of World War II it has been considered a symbol of hate in the West, and of white supremacy in many Western countries.
As a result, all use of it, or its use as a Nazi or hate symbol, is prohibited in some countries, including Germany. Because of the stigma attached to the symbol, many buildings that have used the symbol as decoration have had the symbol removed. In some countries, such as the United States (in the 2003 case Virginia v. Black), the highest courts have ruled that the local governments can prohibit the use of swastika along with other symbols such as cross burning, if the intent of the use is to intimidate others.
The German and Austrian postwar criminal code makes the public showing of the swastika, the sig rune, the Celtic cross (specifically the variations used by white power activists), the wolfsangel, the odal rune and the Totenkopf skull illegal, except for scholarly reasons. It is also censored from the reprints of 1930s railway timetables published by the Reichsbahn. The swastikas on Hindu, Buddhist, and Jain temples are exempt, as religious symbols cannot be banned in Germany.
A controversy was stirred by the decision of several police departments to begin inquiries against anti-fascists. In late 2005 police raided the offices of the punk rock label and mail order store "Nix Gut Records" and confiscated merchandise depicting crossed-out swastikas and fists smashing swastikas. In 2006 the Stade police department started an inquiry against anti-fascist youths using a placard depicting a person dumping a swastika into a trashcan. The placard was displayed in opposition to the campaign of right-wing nationalist parties for local elections.
On Friday, 17 March 2006, a member of the Bundestag, Claudia Roth reported herself to the German police for displaying a crossed-out swastika in multiple demonstrations against Neo-Nazis, and subsequently got the Bundestag to suspend her immunity from prosecution. She intended to show the absurdity of charging anti-fascists with using fascist symbols: "We don't need prosecution of non-violent young people engaging against right-wing extremism." On 15 March 2007, the Federal Court of Justice of Germany (Bundesgerichtshof) held that the crossed-out symbols were "clearly directed against a revival of national-socialist endeavors", thereby settling the dispute for the future.
On 9 August 2018, Germany lifted the ban on the usage of swastikas and other Nazi symbols in video games. "Through the change in the interpretation of the law, games that critically look at current affairs can for the first time be given a USK age rating", USK managing director Elisabeth Secker told CTV. "This has long been the case for films and with regards to the freedom of the arts, this is now rightly also the case with computer and videogames."
The European Union's Executive Commission proposed a European Union-wide anti-racism law in 2001, but European Union states failed to agree on the balance between prohibiting racism and freedom of expression. An attempt to ban the swastika across the EU in early 2005 failed after objections from the British Government and others. In early 2007, while Germany held the European Union presidency, Berlin proposed that the European Union should follow German Criminal Law and criminalise the denial of the Holocaust and the display of Nazi symbols including the swastika, which is based on the Ban on the Symbols of Unconstitutional Organisations Act. This led to an opposition campaign by Hindu groups across Europe against a ban on the swastika. They pointed out that the swastika has been around for 5,000 years as a symbol of peace. The proposal to ban the swastika was dropped by Berlin from the proposed European Union wide anti-racism laws on 29 January 2007.
The public display of Nazi-era German flags (or any other flags) is protected by the First Amendment to the United States Constitution, which guarantees the right to freedom of speech. The Nazi Reichskriegsflagge has also been seen on display at white supremacist events within United States borders.
As with many neo-Nazi groups across the world, the American Nazi Party used the swastika as part of its flag before its first dissolution in 1967. The symbol was chosen by the organisation's founder, George L. Rockwell. It was "re-used" by successor organisations in 1983, without the publicity Rockwell's organisation enjoyed.
The swastika, in various iconographic forms, is one of the hate symbols identified in use as graffiti in US schools, and is described as such in a 1999 US Department of Education document, "Responding to Hate at School: A Guide for Teachers, Counselors and Administrators", edited by Jim Carnes, which provides advice to educators on how to support students targeted by such hate symbols and address hate graffiti. Examples given show that it is often used alongside other white supremacist symbols, such as those of the Ku Klux Klan, and note a "three-bladed" variation used by skinheads, white supremacists, and "some South African extremist groups".
In 2010 the Anti-Defamation League (ADL) downgraded the swastika from its status as a Jewish hate symbol, saying "We know that the swastika has, for some, lost its meaning as the primary symbol of Nazism and instead become a more generalised symbol of hate". The ADL notes on their website that the symbol is often used as "shock graffiti" by juveniles, rather than by individuals who hold white supremacist beliefs, but that it is still a predominant symbol amongst American white supremacists (particularly as a tattoo design) and used with anti-Semitic intention.
In 2010, Microsoft officially spoke out against use of the swastika by players of the first-person shooter Call of Duty: Black Ops. In Black Ops, players are allowed to customise their name tags to represent, essentially, whatever they want. The swastika can be created and used, but Stephen Toulouse, director of Xbox Live policy and enforcement, stated that players with the symbol on their name tag will be banned (if someone reports it as inappropriate) from Xbox Live.
In the Indiana Jones Stunt Spectacular in Disney Hollywood Studios in Orlando, Florida, the swastikas on German trucks, aircraft and actor uniforms in the reenactment of a scene from Raiders of the Lost Ark were removed in 2004. The swastika has been replaced by a stylised Greek cross.
In 2005, authorities in Tajikistan called for the widespread adoption of the swastika as a national symbol. President Emomali Rahmonov declared the swastika an Aryan symbol, and 2006 "the year of Aryan culture", which would be a time to "study and popularise Aryan contributions to the history of the world civilisation, raise a new generation (of Tajiks) with the spirit of national self-determination, and develop deeper ties with other ethnicities and cultures".
In East Asia, the swastika is prevalent in Buddhist monasteries and communities. It is commonly found in Buddhist temples, religious artefacts, texts related to Buddhism and schools founded by Buddhist religious groups. It also appears as a design or motif (singularly or woven into a pattern) on textiles, architecture and various decorative objects as a symbol of luck and good fortune. The icon is also found as a sacred symbol in the Bon tradition, but in the left-facing orientation.
Many Chinese religions make use of the swastika symbol, including Guiyidao and Shanrendao. The Red Swastika Society, which is the philanthropic branch of Guiyidao, runs two schools in Hong Kong (the Hong Kong Red Swastika Society Tai Po Secondary School and the Hong Kong Red Swastika Society Tuen Mun Primary School) and one in Singapore (Red Swastika School). All of them show the swastika in their logos.
Among the predominantly Hindu population of Bali, in Indonesia, the swastika is common in temples, homes and public spaces. Similarly, the swastika is a common icon associated with Buddha's footprints in Theravada Buddhist communities of Myanmar, Thailand and Cambodia.
The city of Hirosaki in Aomori Prefecture designates this symbol as its official flag, which stemmed from its use in the emblem of the Tsugaru clan, the lords of Hirosaki Domain during the Edo period.
In Bhutan, India, Nepal and Sri Lanka, the swastika is common. Temples, businesses and other organisations, such as the Buddhist libraries, Ahmedabad Stock Exchange and the Nepal Chamber of Commerce, use the swastika in reliefs or logos. Swastikas are ubiquitous in Indian and Nepalese communities, located on shops, buildings, transport vehicles, and clothing. The swastika remains prominent in Hindu ceremonies such as weddings. The left facing sauwastika symbol is found in tantric rituals.
In Bhutan, swastika motif is found in its architecture, fabric and religious ceremonies.
Since the end of the 20th century, and through the early 21st century, confusion and controversy has occurred when personal-use goods bearing the traditional Jain, Buddhist, or Hindu symbols have been exported to the West, notably to North America and Europe, and have been interpreted by purchasers as bearing a Nazi symbol. This has resulted in several such products having been boycotted or pulled from shelves.
When a ten-year-old boy in Lynbrook, New York, bought a set of Pokémon cards imported from Japan in 1999, two of the cards contained the left-facing Buddhist swastika. The boy's parents misinterpreted the symbol as the right-facing Nazi swastika and filed a complaint to the manufacturer. Nintendo of America announced that the cards would be discontinued, explaining that what was acceptable in one culture was not necessarily so in another; their action was welcomed by the Anti-Defamation League who recognised that there was no intention to offend, but said that international commerce meant that, "Isolating [the Swastika] in Asia would just create more problems."
In 2002, Christmas crackers containing plastic toy red pandas sporting swastikas were pulled from shelves after complaints from customers in Canada. The manufacturer, based in China, said the symbol was presented in a traditional sense and not as a reference to the Nazis, and apologised to the customers for the cross-cultural mixup.
Besides its use as a religious symbol in Hinduism, Buddhism and Jainism, which can be traced back to pre-modern traditions, the swastika is also used by adherents of a large number of new religious movements which were established in the modern period.