An audio commentary is an additional audio track, usually digital, consisting of a lecture or comments by one or more speakers, that plays in real time with a video. Commentaries can be serious or entertaining in nature, and can add information which otherwise would not be disclosed to audience members.
The DVD medium allows multiple audio tracks for each video program. DVD players usually allow these to be selected by the viewer from the main menu of the DVD or using the remote. These tracks will contain dialogue and sound of the movie, often with alternative tracks featuring different language dialogue, or various types of audio encoding (such as Dolby Digital, DTS or PCM). Among them may be at least one commentary track.
There are several different types of commentary. The two main types simply define the length of the commentary rather than the type of content. They are:
Typically a commentary track will include feature-length commentary from the film's director, cast members, or occasionally writers and producers. Occasionally actors will perform commentary in-character. (In recording sessions with multiple speakers, a designated moderator may encourage the discussion flow.) Some DVDs include outsider commentary performed by film critics, historians, scholars or fans. In more elaborate productions, multiple speakers from various recording sessions may be edited together for a single audio program.
Some DVDs feature commentaries with on-screen video enhancements, such as telestrator prompts, (allowing the director or commentator to "draw" on the screen, pointing out specific details)[a], or the Ghostbusters "video commentary", where one of the subtitle tracks is used to add silhouettes of the speakers in a manner where they seem to be in a theater commenting on the movie as it was screened for them in the style of Mystery Science Theater 3000. Less common are actual video commentaries, showing the speakers as they are recording the commentary, requiring separate video tracks.
The value of audio commentaries as a marketing tool was revealed during the heyday of Laserdisc, the laser-based video format produced before the introduction of DVDs. The Criterion Collection company, for example, produced high-quality "deluxe" editions of classic films on Laserdisc, using the best available prints and re-edited versions. These were often very expensive compared to today's DVDs and included bonus material such as trailers, deleted scenes, production stills, behind-the-scenes information, and audio commentaries from the directors, producers, cast, cinematographers, editors, and production designers. They were marketed to movie professionals, fans and scholars who were seen as an elite niche of consumers who could afford to pay more for definitive, quality editions. The audio commentaries on laserdiscs were typically encoded on secondary analog tracks which had become redundant, as modern Laserdiscs had stereo audio encoded digitally alongside. This is why certain older videodisc players, which pre-date the digital audio standard, are only able to play back analog tracks with audio commentary.
The first audio commentary was featured on the Criterion Collection release of the original King Kong film, on laserdisc in December 1984. It featured film historian Ronald Haver and his first words were:
Hello, ladies and gentlemen, I'm Ronald Haver, and I'm here to do something which we feel is rather unique. I'm going to take you on a lecture tour of King Kong as you watch the film. The laserdisc technology offers us this opportunity and we feel it's rather unique — the ability to switch back and forth between the soundtrack and this lecture track...
The idea for the commentary track arose in the film-to-tape transfer room when laserdisc producers, Peter Crown and Jennifer Scanlin of Romulus Productions, Inc., thrilled by Haver's incredible commentary, suggested to Bob Stein and Roger Smith that this material needed to be included on the disc. They played back the completed movie as Ron watched and ad libbed his comments.
The decline of the Laserdisc format and the increasing popularity of DVD was highlighted in the fall of 1997, when simultaneous Laserdisc and DVD editions of the movie Contact were released. The former contained one bonus audio commentary track by director Robert Zemeckis, and producer Steve Starkey. However, the DVD contained two additional, separate audio commentaries (by Jodie Foster and the special effects producers), as well as other bonus features. Despite its history with laserdiscs, the idea of audio commentary was still such an uncommon notion that, in its January 1998 review of the Contact DVD, Entertainment Weekly scoffed, "Who in the universe would want to journey through more than eight hours of gassy, how-we-filmed-the-nebulae trivia included in this "Special Edition" disc? Meant to show off DVD's enormous storage capacity, it only demonstrates its capacity to accommodate mountains of filler."
In general, directors are open to recording commentary tracks, as many feel it can be helpful to young filmmakers, or they simply want to explain their intention in making the film. Eli Roth, for example, specifically states on the producer's commentary track for The Last Exorcism, that he and the other filmmakers will offer advice to people interested in making films, as well as film school students. He is a strong proponent of the educational use of audio commentary, having recorded five commentary tracks for his debut, Cabin Fever. He also recorded insightful commentary tracks, with Quentin Tarantino, for both Hostel films, in which the two horror movie fans share film-making anecdotes and offer advice on working in the movie business. Meanwhile, others (such as Steven Spielberg, Joe Johnston, Clint Eastwood, M. Night Shyamalan & David Lynch) feel commentary can de-mystify and cheapen a movie. Director Steven Spielberg has not recorded commentary tracks for any of his films. He feels that the experience of watching a film with anything other than his intended soundtrack detracts from what he has created. Woody Allen has a similar lack of enthusiasm for commentaries, stating, "I'm not interested in all that extra stuff. [...] I want my films to speak for themselves. And hopefully they do." Similarity, some of Joe Johnston's movies handled commentary by the special effects team (like Jurassic Park III and Jumanji), and by the author (October Sky). The only exception to this rule was Captain America: The First Avenger.
A number of films and music videos released today feature audio commentaries. While many of them will not hold the interest of the casual viewer, specific releases stand out, mainly those with elements of historical interest or subject-specific information from expert advisors. For example, the inventor of the steadicam, featured throughout the audio commentary track for The Shining, discusses his work with the ground-breaking technology in several films leading up to that landmark production. Non-movie buffs may be interested in the anecdotes offered by advisors to the filmmakers, such as the FBI profiler commenting on The Silence of the Lambs (Criterion DVD release). Filmmakers and cast may reveal stories from behind the scenes, explain the process involved in their work, or simply offer additional laughs.
Kevin Smith coined the idea of in-theater audio commentary, going to see a movie at the theater, and after having downloaded onto one's iPod a podcast of an audio commentary, returning to the theater a second time to watch the movie while listening to the commentary at the same time. As of right now, a few films have attempted to utilize this idea, including Smith's Clerks II, The Nines by writer/director John August, and Rian Johnson's The Brothers Bloom, Looper and Knives Out. August's blog lists "rules and guidelines" for how to use in-theater commentary.
Kevin Smith first recorded a commentary track for Clerks II around May 2006 a few months before its theatrical release that was to be downloaded through iTunes and listened to in the theaters, which was meant to appeal primarily to Smith's hardcore DVD-purchasing fan base. Theater owners, however, felt that allowing people to bring outside devices would be distracting and disrupting to other audience members. The commentary track was not released for download while the movie was in theaters and was instead included on the 2-disc Clerks II DVD. The commentary track features Kevin Smith along with producer Scott Mosier and actor, Jeff Anderson.
An audio commentary track for The Nines featuring John August along with actor Ryan Reynolds was posted in m4a and mp3 formats onto August's blog. This film had a considerably more limited release than Clerks II, featured in only 5 theaters in the U.S.
Originally inspired by a column by Roger Ebert, a small but active fan base of DVD commentary enthusiasts has sprung up since 2002 offering their own specially-recorded fan-made DVD commentaries. These tracks (usually made available in MP3 format) allow the fans to put forth their own opinions and expertise on a movie or TV series in much the same way as an on-disc commentary. These commentary tracks are played by starting a DVD player with the movie and an MP3 player with the track simultaneously. A substantial community of fan commentators exists, creating many hundreds of downloadable tracks available on the Web.
The idea of downloadable commentary tracks has since been co-opted by TV show creators themselves, as creators of TV shows such as the 2004 Battlestar Galactica, Star Trek: Enterprise, and the Doctor Who revival have recorded downloadable commentary tracks meant to be watched along with the episodes as recorded from TV.
Mystery Science Theater 3000 head writer and on-screen host Michael J. Nelson has started his own website to sell downloadable commentaries called RiffTrax. He also regularly commentates on the public domain films that colorizing company Legend Films releases on DVD, including Night of the Living Dead and Reefer Madness.
The Audio Commentary has been a subject of discussion among filmmakers. Many directors see them as an unnecessary bonus feature, while others record "fake" commentaries, which may contain false information or inside jokes. Other filmmakers have parodied the commentary concept, as the following examples demonstrate.
Some film companies transfer the audio commentary of the laserdisc release of a film on to the DVD rather than creating a new one. For example, El Mariachi Special Edition, Total Recall Special Edition, Spaceballs and A Nightmare on Elm Street all contain the commentary from the laserdisc release. This may be for financial reasons, depending on whether the rights to the original commentary are cheaper to use than recording a new one (a company releasing a film on DVD today may not be the same company who released it on laserdisc); or it could simply be that the original commentary does its job well without the need for an update. Contrastingly, some DVDs do not have a commentary even though the laserdisc release did (for example, Taxi Driver). This may be because the parties involved have not reached a publication agreement.
The audio commentaries of The Criterion Collection are often considered some of the finest and most informative commentaries ever made, and the Laserdisc releases of classic films can be highly priced because Criterion generally did not license their commentaries for use on later DVDs when the rights to films they have release revert to the studio, including the aforementioned Taxi Driver. But commentaries like that now appear on the Blu-ray versions of films. Other notables include the commentary for The Silence of the Lambs (featuring stars Jodie Foster and Anthony Hopkins, along with director Jonathan Demme) and Terry Gilliam's tracks for The Adventures of Baron Munchausen and The Fisher King. In addition, the fact that Criterion have been commissioning commentaries since 1984 means that commentaries exist by film makers who died before the advent of DVD, such as Michael Powell.
Some commentaries that were issued on Laserdisc have not been reissued or replaced on DVD. Sometimes this is because there was a deluxe LD edition while there has only been a bare bones release on DVD, for example The Fisher King.
In the case of the first three James Bond movies, Dr. No, From Russia with Love, and Goldfinger, the commentary was once released on LaserDisc but quickly judged inappropriate, never to return (new commentary tracks are on the DVD editions). The commentaries are available to download at .
Some video games, such as the episodic sequels to Half-Life 2 and Tomb Raider: Anniversary, have experimented with audio commentaries. Unlike DVD commentaries, the systems used for video games do not use a predetermined continuous flow of speech, because the events of a game depend on the player's actions. Instead, in-game prompts are used to allow players to activate a relevant audio commentary for a specific area. The camera and action may also be altered to more readily showcase the developer's comments.